“Worshipper at the Ganga in Varanasi” – Rasa Masterpiece

1.200,00 

Rasa Masterpiece “Worshipper at the Ganga in Varanasi” by Mumbiram

A Flagship of Rasa Renaissance

  • 70 x 100 cm

Collector’s Item

High Quality Canvas Print

individually signed by Mumbiram

Description

Collector’s Item Canvas Print of Original Masterpiece “Worshipper at the Ganga in Varanasi” by Mumbiram

Most visions of Varanasi include the ghats and the temples along the Ganga. The vision presented by Mumbiram is personal and intimate. We see a maiden who has come to the river to do her daily worship.

70 x 100 cm
High Quality Canvas Print
individually signed by Mumbiram

This is a collector’s item and you will get your Rasa Masterpiece individually signed by Artist Mumbiram.

Rasa Appreciation of original masterpiece “Worshipper at the Ganga in Varanasi” by Mumbiram

 

“Worshipper at the Ganga in Varanasi”

(Watercolour, 1993, Mumbiram)

Most visions of Varanasi include the ghats and the temples along the Ganga. Here we see neither the temples nor the ghats. We see the orange waters of the flooded ganga. Only a few Shiva-lingas are seen sticking out from the water. This is how Ganga is seen in the middle of the month of Bhadrapad, about September, when the monsoon is over but the floods have yet to subside. During other months of the year, the morning scene at the Ganga is one of crowds of bathers standing in the shallow waters at the ghats. The river itself is full of fishermen’s boats that are carrying western tourists with their extra-long zoom lenses to capture close-ups of the bathers.

Mumbiram's unique and peculiar ideal of feminine beauty

The vision presented by Mumbiram is personal and intimate. We see a maiden who has come to the river to do her daily worship. Traditionally young maidens pray to Lord Shiva, or to his consort Katyayani, who are known to grant a girl’s wish to have the husband of her choice. The young woman we see here has an innocent face of a young girl. The round shape of her head suggests baby fat. Her big clear eyes are steady, not fickle. Her slightly turned up round nostrils and small shapely ears look youthful. The small diamond nose-stud and the round ruby ear-stud reinforce that impression. But that could be deceptive. The red kumkum crescent on the forehead and the yellow turmeric dot below it, along with the black-and-gold beads in one of the necklaces round her neck suggest married status. Her full round bosom and the shape of her belly-button suggest she has already earned the epithet of motherhood.

Is he the man of her fantasy ?
Is he the man of her fantasy ?

Then who is the young man seen at some distance in the background ? Is he the man of her fantasy ? A paramour ? He has a boyish demeanor, nearly androgynous. He has a longer face, longer eyes, even longer eyebrows and a taller forehead. The white vertical tilak marking on his forehead clearly suggests a vaishnava affiliation whereas her red crescent tilak on her forehead suggests a Shaivite inclination. But notice the other red accessories adorning her self. From the bunch of her hair tied behind her head hangs a red tassel at the end of a handsome red and gold rope. Mumbiram himself had created and made famous this tassel that he used in many different improvised ways. Besides the red ear-studs and the red bracelets she is wearing a necklace of red gunja beads. Isn’t there such a gunja mala around his neck also ? But that could be just a coincidence even if very peculiar. Her red lips depict a tidy curvaceous mouth that betrays an inner storm.

They are the only people in sight yet they are not even looking at each other. If they are pretending to ignore each other they are a failure. Granted she is busy making her worshipful offering with her beautiful shapely hands. But he is making his offering with the exact same gesture of his hands. Is he acknowledging her silently and discreetly ? In a Mumbiram rendering every detail has a meaning and a purpose. It is a Rasa Classic. The full moon is about to set. It is early morning on the full-moon day of Bhadrapad, the beginning of the fortnight of offerings to the ancestors.

Mumbiram has presented here a very unique and peculiar ideal of feminine beauty. Her narrow rectangular forehead, high cheekbones, pointed chin and strong jawbone create an eye-catching polygon. The round top of her head and her thin neck add to the total harmony of her demeanor. Ahoy ! Whoever saw such brown and ocher stripes in the hair as this damsel ?

Now to come to the point and mention the very first thing that one notices about her. Her exquisite now-brown-now-green dark complexion. In her arms and her torso it is more dark. In her face it is more yellowish. Her cheeks even show a pink tinge. Surely she is blushing. The white smears on her face must be the white ashes that Shiva devotees adorn their faces with. Her lemon-yellow blouse enhances the curves of her torso and shoulders. Her parrot-green saree appears wet and clinging to her body in a very sensuous way. In combination with that her gold jewelry and the gold in the border of her saree looks casual yet all the more gracious on her.

Mumbiram has presented here an ideal of feminine beauty that is indeed very unique and peculiar. It is reminiscent of the iconic farmer-couple sculptures of Karle and Bhaje caves near Lonavla. The colours certainly outdo even the most graceful figures of the murals in the caves at Ajantha. Mumbiram was a frequent visitor to these places of ancient artistic creations of spiritually motivated groups.